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Friedrich Nietzsche’s The Birth of Tragedy Out of the Spirit of Music, published in 1872, is not only the first major work of the most provocative voice in modern philosophy but also the most important study of Greek tragedy since Aristotle’s Poetics. In this remarkable essay Nietzsche announces his aggressive challenge to many of the most cherished philosophical assumptions of his own time, re-evaluates the development of classical Greek culture, and establishes aesthetic concepts whish have had a decisive influence on modern discussions of art.

The Greeks, Nietzsche argues, were in the period of their greatest achievements thoroughly pessimistic but found in artistic creativity the only possible justification for existence. As a result of this development they produced Greek tragedy, the noblest affirmation of human life. The later development of Greek culture, particularly the influence of Socrates and Euripides, was not, as so many modern classicists have maintained, the high point of Greek achievement, but a significant decline, the onset of a sickness from which the world is still suffering.
The Birth of Tragedy received a cool reception in Nietzsche’s day, especially from the academic community, but it has since become a central document in modern aesthetics and has led to a significant reappraisal of the nature of Classical Greek culture. The book also serves as an eloquent introduction to the disturbing challenges Nietzsche issued to modern thinking.

Ian Johnston’s new translation captures the energy, eloquence, and power of Nietzsche’s unique philosophical style in this extraordinary and influential work.

 

 

 

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